The Spatial Instrumentalist (MPhil/PhD – UCL)
2017 – 2024

PhD Academic Research / In Progress

Following an offer of admission to study MPhil/PhD at the Bartlett, UCL – my research will be investigating spatio-temporal interdependence between architectural space and performed music. As an architect and musician, I am interested in the simultaneous capacities of architecture to influence the composition and experience of performed music – and of performed music to influence the composition and experience of architectural space. My previous MArch project proposed a series of spaces which behave as instruments and replicate the immersive acoustic character of Venice during the Aqua Alta. My compositions appropriate spaces as musical instruments, by responding to the acoustic qualities of these spaces. When performed, my pieces exploit acoustical phenomena such as reverberance and sympathetic resonance to articulate musical motifs. For example, by using excessive reverberance to construct a harmonic sequence, or by suggesting a rhythm from an echo. When we consider performance spaces to be as acoustically active as the instruments which they contain, ideas surrounding the composition of space and music start to become more pliable. My research promotes a multidisciplinary method of practice which sits within the seams of architecture and music. The resultant work acts as an elastic mediator between the construction of spatial and sonic realms. Keep an eye out below, for updates and discoveries>>

Tonal Organisation

Testing the tonal limits of all sections of the orchestra:


Edge to Edge was a success! Thanks everyone who helped, performed, listened and watched! Keep your eyes and ears peeled for videos and audio recordings soon..!